Laburnum wood is not a widely used timber but possesses a distinct character that makes it interesting to turn. It has a rich golden-brown hue, often with darker streaks and irregular figuring. The sapwood, in contrast, tends to be a paler yellow, which creates a striking contrast when both are present in a piece. It has a fine, even texture and a moderately hard nature, but its inherent toxicity due to the presence of cytisine, particularly in the seeds and bark, limits its use and working with it should always be approached with caution

The density of laburnum wood is moderate, falling somewhere between that of cherry and oak. This means it is relatively easy to work with hand tools and especially easy to turn. The limited availability of laburnum wood significantly restricts its widespread use. Laburnum trees are typically not grown for their timber production; instead, they are valued for their spectacular, cascading yellow flowers. When they are harvested, they tend to be smaller in diameter, often yielding only smaller pieces suitable for specialty crafts and objects.

The tendency for the wood to contain knots and growth irregularities also means a higher rate of wastage and fewer pieces suitable for larger-scale projects. Thus, laburnum wood is better considered a specialised, artisan material, prized for its beauty, unique qualities, and the distinct challenge it presents to the woodworker rather than a staple timber for everyday construction or furniture. The piece for this particular pen was harvested from a tree that was destined for firewood, and saved by my father to produce a number of turned pieces.
Padauk wood, hailing from the Pterocarpus genus, is known for its vibrant coloration and working properties. Freshly cut, Padauk heartwood is an almost fluorescent orange-red, often described as coral or vermillion. This colour tends to darken over time with exposure to light, eventually transitioning to a rich, brownish-purple or deep red. The grain is typically straight, though some species exhibit interlocked or wavy patterns, adding further character. Here the texture is coarse, yet even, but can be polished smooth. The wood possesses a natural lustre that can be easily enhanced through polishing and finishing.

Padauk is considered a moderately dense and hard wood. It is significantly harder than woods like oak or maple and relatively resistant to insect and fungal decay, and it is very stable and resistant to warping and twisting.

While its hardness makes it strong, it also means that Padauk can be more challenging to work with compared to softer woods. Sharp tools are essential for clean cuts and to prevent tear-out, particularly when dealing with interlocked grain patterns. I find it turns well at higher speeds with freshly sharpened chisels, though I rarely get a completely tear-free Padauk surface without a little sanding. The distinct color and grain of Padauk along with its density and stability have led to its use in furniture, veneers, fine cabinetry, musical instruments (especially percussion instruments), and various decorative objects.
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